Clarinet and piano
Apr. 13th, 2006 03:34 pmAlthough a prominent pianist, Rachmaninoff must have adored the clarinet. He also gave it a drifting, meditative solo in the Adagio of his Symphony No. 2 (1908). These are two of the most romantic slow orchestral movements ever written.
It can be dramatic when a second solo instrument momentarily grabs the spotlight during a concerto. The violin's exuberant outburst during the finale of Dvorak's Cello Concerto comes to mind, also the opening melody of the Andante from Brahms' Piano Concerto No. 2, presented elegantly and lyrically by the cello. Such diversions require remarkable inspiration and skill to avoid detracting from the primary soloist. If successful, they evoke the passionate interactions of two lovers, and become the most memorable passages of the compositions.
Water and sky also appeared as soulmates, the quietly rippling Speed listening to nostaligic strains of departing Sun.

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Date: 2006-04-13 09:07 pm (UTC)no subject
Date: 2006-04-15 02:48 am (UTC)no subject
Date: 2006-04-15 04:35 pm (UTC)Of course, if I had to choose a clarinet quintet, it might be the Mozart over the Brahms. (Yes, I know, Mozart doesn't really speak to you.)
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Date: 2006-04-17 04:35 am (UTC)That's not exactly true. While I feel indifferent toward some of Mozart's compositions, many others I could not do without.
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Date: 2006-04-18 04:16 am (UTC)no subject
Date: 2006-04-14 05:45 am (UTC)both great images
the top one really stunning
thanks for the email. I'll respond in the next day or two. been out of it mentally
love
ya
munkey
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Date: 2006-04-15 04:26 am (UTC)Take care and be well.
Love,
Van